Bottom 40% of all time (see others with this rank)

Festival Year

1998 (click here to see all competition films from this year)


Documentary Competition


Mathyselene Heredia, Carlos Arturo Corona, Maria Servulo, Mariam Manazano Druan, Erika de la Cruz ramires, Rene Pereyra

Non-Cast Credits

Vicky Funari, Jennifer Maytorena Taylor, the sanff Centre for the Arts, Paulina Cruz Suarez, Marie-Christine Camus, Pauline Oliveros


In a simple opening, Paulina, a housekeeper, sweeps leaves in the garden of a wealthy Mexico City home. As she proceeds to other tasks, she speaks of her duties, talks to her kitchen appliances, talks to the food she is preparing. Intercut are scenes from her past. Suddenly this powerful documentary enters a dramatic superreality as it shows a younger Paulina on a rural bus returning to her family village to seek revenge for past injustices. Various views of reality unfold on the screen: how Paulina remembers the event, how other passengers saw the same circumstances.

Paulina has worked in the homes of the rich for some forty years. In the 1950s, when she was a child in rural Veracruz, her parents traded her for land rights.Mistakenly labeled a victim of rape, Paulina was ostracized by all, cast from school, separated from her siblings: and handed over to the town boss, Mauro, who claimed her as his personal property. She quickly became a victim of his brutality and sexual exploitation, but often escaped to the local cemetery, where she spoke to death. She chose to live only because of her daughter, Rosa Marie.

Paulina weaves together the personal recollections of its subject with those of her family and friends, blending narrative storytelling techniques with the conventions of the traditional documentary. What results are equal parts personal diary, talking-head documentary, and vivid reenactment of a courageous woman's struggle to live life on her own terms.


Gail Silva (see other films reviewed by the same reviewer)

Film Takes Pace.